00 / 07 — COLD OPEN

Dreams
will come
true©

BREAKH Productions makes short films, commercials and documentaries, from first treatment to final grade.

The camera / 15 perf, 65 mmNot everything here is only a drawing. Keep scrolling to go through the lens.
01 / 07 — THE BEGINNING

Every film starts as
a feeling in a dark room.

Sunlight falls in bands across a concrete corridor with an oak ceiling, and one figure stands at the far end.
CG STILL

We start with what the audience should feel when the lights come up. Every choice after that, from the location to the lens to the last cut, serves that feeling.

Frame rate
24 fps
Shutter angle
180°
One frame
41.67 ms
Inside the bodyThe same camera, taken apart along the path of the light.
02 / 07 — FIND YOUR RHYTHM

Find
your rhythm
before we roll.

View up a concrete spiral stair with a timber handrail, towards a small circle of sky.
CG STILL
  1. 02.1

    Develop

    We shape the idea into a treatment, a script and a budget you can defend.

  2. 02.2

    Prep

    We scout, cast, schedule and test the look before anyone calls action.

  3. 02.3

    Shoot

    A small crew protects the time your cast has in front of the lens.

  4. 02.4

    Finish

    Edit, sound, colour and delivery stay in one room and on one timeline.

Where the film sits, a digital camera has thisThe layers of a sensor, spread out and simplified.
03 / 07 — THE SLATE

Stories with
a pulse.

View down an oak spiral ramp that coils into shadow.
CG STILL
04 / 07 — LOCATION

Go where
the light is.

Five cities on a live globe that shows today's sun, and the desk that travels with the crew.

    Open Locations ↗
    The lens / a simplified 50 mmAn illustration of how a lens is built, not a real optical design.
    05 / 07 — THE COMPOSITION

    What a frame is
    made of.

    20Light
    Ca

    41.67 ms

    Calcium gave theatre its limelight. Light now has this long to fill one frame at 24 fps.

    12Exposure
    Mg

    20.83 ms

    Magnesium powered early flash. A 180° shutter at 24 fps exposes each frame for this long.

    19Develop
    K

    ≈1,520 mg/L

    Potassium bromide holds back fog in the Photo Engineers home C-41 developer formula.

    OxideFocus
    SiO2

    600–700 mg/g

    Silica forms most of N-BK7, a common optical glass for lens elements.

    06 / 07 — THE OFFER

    Book the crew.
    Keep the momentum.

    The film / a 1000 ft rollFrom the can, to the roll, to the layers of a single frame.
    07 / 07 — THE LAST FRAME

    Let's make
    something
    worth the dark.

    See the slate ↗